. . . . . . . . . Dubblestandart 2008 . . . . . . . . .

BOOKING:
runnershigh@aon.at

MEDIA:
TROUBLECOMPRESSOR HEADQUARTER
runnershigh@aon.at

TECHNIC:
GO!EAST STUDIO
office@goeaststudios.com

Technical Rider 2008

Download Technical Rider

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PA-System well fit to Location
Main mix EQs (graphic)
for each aux to monitor we need graphic EQ’s (4)
Minimum 32/8/2 Mixer (Midas or equal)
4 aux for FX – if monitor via FOH: 4 aux pre fade to monitor, speakers see below
4 compressors (BSS)
6 gates (Drawner,BSS)
1 stereo compressor for main-mix (insert)
2 Reverbs (lexicon, t.c.)
1 Effectprocessor (Eventide, SPX 990 or 900, t.c.)
1 Tap Delay-unit (t.c. 2290 or D-Two or other)

1 Dat-recorder
2 Technics Turntables (MK 2 S)direct driven (only if DJ set is included)
1 DJ Mixer with Kill Function or Bass, Mid, Treble Controlls(only if DJ set is included)

Monitor:
26/6 Monitor-mixer
6 x 15” Wedges
1 x 15” Drumfill
2 x PA-Stack Sidefill

In case we monitor via FOH, the stage plan has to be adapted to the location.

Stageplan 2008

a completely dubbed audience

importante note
some signals are splitted or double mic-ed to the mixing board on stage and are not going to FOH!

01 Bd BETA 91 (PL20, D112)
02 Snare SM57 (2nd SM 57 goes to KEY B via XLR
03 2. Snare SM57 or C460
04 Hihat C460 or C451
05 Tom left PL-10, MD421 or C408
06 Tom mid same
07 Tom right same
08 Overhead left Micro (414)
09 Overhead right Micro (414)
10 Bass Guitar Ampeg Di out
11 Lead Guitar SM57 (2nd SM 57 goes to KEY B via XLR)
12 Key A 1 Di (DI Split to Key B via TRS cable!)
13 Key A 2 Di
14 Key A 3 Di (DI Split to Key B via TRS cable!)
15 Key A 4 Di
16 Key B 5 Bal. XLR Line
17 Key B 6 Bal. XLR Line
18 Key B 7 Bal. XLR Line
19 Key B 8 Bal. XLR Line
20 Lead Vocals SM58 or wireless Shure UHF
21 Lead Vocals SM58 or wireless Shure UHF
22 FX-Return reverbL (fx-aux1)
23 FX-Return reverbR
24 FX-Return reverb2L (fx-aux2)
25 FX-Return reverb2R
26 FX-Return multifx LR or mono (fx-aux3)
27 FX-Return delay LR or mono (fx-aux4)

All FX return on channels if possible, else the reverbs come back via AUX return. But we need the delay on a channel.